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V for Vendetta as Cultural Pastiche
A Critical Study of the Graphic Novel and Film
James R. Keller

ISBN 978-0-7864-3467-1
bibliography, index
247pp. softcover 2008

Available for immediate shipment

Description
The 2005 James McTeigue and Wachowski Brothers film V for Vendetta represents a postmodern pastiche, a collection of fragments pasted together from the original Moore and Lloyd graphic novel of the same name, along with numerous allusions to literature, history, cinema, music, art, politics, and medicine. Paralleling the graphic novel, the film simultaneously reflects a range of authorial contributions and influences.

This work examines in detail the intersecting texts of V for Vendetta. Subjects include the alternative dimensions of the cinematic narrative, represented in the film’s conspicuous placement of the painting The Lady of Shalott in V’s home; the film’s overt allusions to the AIDS panic of the 1980s; and the ways in which antecedent narratives such as Terry Gilliam’s Brazil, Huxley’s Brave New World, and Bradbury’s Fahrenheit 451 represent shadow texts frequently crossing through the overall V for Vendetta narrative.

About the Author
James R. Keller is a professor and chair of the English and Theatre department at Eastern Kentucky University in Richmond, Kentucky. The author or editor of numerous works about popular culture, he lives in Richmond, Kentucky.

Other Book(s) by James R. Keller Available from McFarland:

Anne Rice and Sexual Politics

Queer (Un)Friendly Film and Television

Almost Shakespeare

The New Queer Aesthetic on Television

Food, Film and Culture

Table of Contents & Excerpts